Bloodbath Archive
Welcome to the cabinet of curiosities | Characters, Places & Lore
Explore and discover the world of 'The silent dance of stars'.
Explore and discover the world of 'The silent dance of stars'.
There are cities built beside rivers. Cities built around harbours. Cities raised upon hills. Memphis stands alone.
It rises unexpectedly from the desert, surrounded by an expanse so vast that distance becomes difficult to judge. Glass towers catch the sun above streets that seem to have no obvious beginning, while older districts disappear beneath layers of brick, stone and forgotten architecture that refuse to belong to any single age.
Most people never question why the city exists here. It has always been here. Or so they remember.
There are only two roads leading away from Memphis.
The desert surrounding Memphis is strangely absent from conversation. People cross it. People work within it. Yet maps rarely agree on its size, and no two journeys seem to take quite the same amount of time.
The city continues as though none of this is unusual. Deliveries come into the city via the highway, some via the desert road. Things come, not many things go.
Some known areas within the city, there are many more unknown.
Location: Lower Downtown, Memphis
Status: Open
Archive Entry
The Standard has stood in Lower Downtown for longer than most people can remember. Its Art Deco façade, softened by decades of desert dust and fading light, still carries the quiet dignity of another age. The illuminated marquee is repaired more often than it is replaced, its weathered lettering continuing to announce films long since forgotten by larger cinemas.
Inside, little has changed. The theatre retains a single screen, its faded velvet seats, worn carpets and ornate plasterwork preserved through years of quiet care. Above, a ceiling of painted stars still catches the projector's light, casting a gentle glow over an audience that grows smaller with each passing year.
The Standard has never followed modern tastes. Instead, it continues to screen classic films to those who still seek them out. On the evening Abe wandered into Lower Downtown in search of his love from a past life, Doctor Zhivago was playing to fewer than a dozen people.
Those who return rarely speak of the films themselves. They speak of the theatre. Time appears reluctant to move inside The Standard. Whether this is simply nostalgia, or something more difficult to explain, remains a matter of quiet observation.
Known Staff
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Location: Lower Downtown, Memphis
Status: Open (though seldom found)
Archive Entry
Finding Madame Bea's has never been considered straightforward. The shop lies somewhere beneath the older quarters of Lower Downtown, where narrow alleyways descend through forgotten streets and buildings seem to rest upon the remains of those that came before them.
No map records its exact location. Those who have visited often describe arriving by different routes. Most remember following the glow of ageing neon signs deeper into the labyrinth before noticing a small weathered doorway bearing a modest hand-painted sign. Madame Bea's Clairvoy-Agency.
Inside, the noise of the city gives way to stillness. The waiting room is lined with yellowing photographs whose subjects have long since slipped from memory. Dust settles undisturbed across shelves, picture frames and forgotten ornaments, while the scent of old paper, dried herbs and polished wood lingers quietly in the air. The room feels less like a business than a place carefully preserved against the passing of time.
Beyond the waiting room lies Madame Bea's reading chamber. Books rise in uneven stacks. Curious objects occupy every available surface. Candles burn low beside shelves filled with journals and peculiar artefacts collected over many years.
Near the centre of the room rests an old ottoman where visitors recline while Madame Bea conducts her readings. The cards she lays are unlike any familiar tarot. Each bears a painted image unique to her collection. Their meanings are never fully explained.
The shop seems to exist beyond the ordinary rhythm of Memphis. Those who leave often carry questions they had not intended to ask.
A Familiar Presence
A black cat is frequently seen wandering quietly throughout the shop. He appears entirely unconcerned by visitors and seems to possess an unusual understanding of every room in the building.
Madame Bea rarely introduces him. He requires no introduction. One visitor remarked that the cat appeared genuinely offended at being disturbed during an afternoon nap. Madame Bea apologised on his behalf. The cat did not.
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Location: Business District, Memphis
Status: Open
Archive Entry
Set amongst the glass towers and broad tree-lined avenues of Memphis' Business District, The Artist Collective occupies the lower levels of a contemporary mixed-use building combining exhibition spaces, working studios and residential apartments.
Its timber façade softens the surrounding steel and concrete, giving the building an unmistakably human scale despite the height of the tower rising above it. Large windows reveal changing exhibitions throughout the year, inviting passers-by inside to explore the work of local painters, sculptors, printmakers and illustrators whose studios occupy the floor above.
Unlike a conventional gallery, The Artist Collective remains first and foremost a place of making. Visitors are reminded that the artworks downstairs begin their lives upstairs, behind doors usually left closed while work is underway.
The building remains active throughout the day. Deliveries arrive. Frames are carried between workshops. Fresh canvases lean against unfinished walls. Conversations drift between studios as artists pause briefly before returning to their work.
The galleries present completed pieces. The studios quietly continue the next ones.
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Location: The Old Neighbourhood, Eastern Memphis
Status: Open
Archive Entry
Tucked beside the small neighbourhood square, opposite the park, stands a modest coffee shop that has served the surrounding community for as long as most residents can remember.
Its windows look directly across to the park beyond, while the scent of freshly roasted coffee and warm breakfasts drifts into the square from first light until late morning. The hand-painted sign outside has weathered with age, though its message remains unchanged.
"Come in and forget your troubles for a while."
The shop has become something of a morning ritual. Builders, office workers, shopkeepers, students and retired regulars gather before the day begins, filling the narrow room with quiet conversation, clattering crockery and the familiar rhythm of everyday life.
Inside, booths line the windows overlooking the square, while a single aisle leads towards the serving counter at the rear. Behind a narrow hatch, the kitchen rarely falls silent. Plates appear almost as quickly as orders are called, carried out on outstretched arms before disappearing into the bustle of the café. The place possesses a warmth that extends beyond its walls. Even those simply passing through often find themselves slowing as they cross the square, drawn by the smell of coffee, fresh bread and food prepared with unusual care.
For many, it has become less a café than a small constant within the neighbourhood itself.
Known Staff
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These are world characters, some feature in The silent dance of stars and some do not.
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Shirley works the ticket booth at The Standard, serves refreshments and seems to appear wherever she is needed.
She moves between the entrance and the confectionery counter with practised ease, chewing gum with complete indifference to appearances. Her mousey blonde hair is usually tied back without much care, and her expression seldom changes regardless of who walks through the doors.
She appears to know many of the regular patrons by name.
Few remember ever learning hers.
Joey serves as the The Standard's usher.
Tall, awkward and permanently dressed in clothes that never seem quite the right size, he quietly collects tickets before disappearing into the darkness beyond the foyer. When business is slow he helps Shirley behind the counter, though conversation rarely extends beyond a polite greeting.
His footsteps are often heard before he is seen.
Owner, projectionist and caretaker of The Standard.
A short, broad man with thinning hair, thick spectacles and braces holding up carefully pressed trousers, he has devoted much of his life to preserving both the building and the films it continues to show. Visitors soon discover his remarkable knowledge of cinema. Those who linger in conversation occasionally leave with the impression that his knowledge extends well beyond film.
He has lived in Memphis for longer than most can account for. He never volunteers an explanation.
These are found artefacts from the this world. Make of them what you will.
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